Ars Fennica 2019 exhibition presents the five candidates vying for Finland’s most notable visual art award: Petri Ala-Maunus (FI), Miriam Bäckström (SE), Ragnar Kjartansson (IS), Egill Sæbjörnsson (IS) and Aurora Reinhard (FI). Central themes of the exhibition jointly arranged by Amos Rex and Ars Fennica include the role of the artist, power relations, new pictorial realities and the Western tradition of landscape painting.
The exhibition involves two important choices: the award winner and visitors’ choice. You decide the latter! What was the work you found most touching, awe-inspiring, beautiful, significant, or in any case the best? Vote for your favourite artist during your exhibition visit. Voting for the visitors’ choice continues until the end of the exhibition.
Ars Fennica Award
The Ars Fennica Award is given out by the Henna and Pertti Niemistö Art Foundation, established in 1990. The award is presented to a visual artist in recognition of high-level and distinctive artistic work and includes a monetary prize of EUR 40,000. This year’s Ars Fennica prize was awarded to artist Ragnar Kjartansson. The Director of the Museum Tinguely in Basel, Roland Wetzel, who selected the prize winner remarks:
“This years’ exhibition by the Ars Fennica candidates at Amos Rex in Helsinki is impressive proof of the cutting-edge, vibrant artistic scene in the Nordic countries, represented by five outstanding artistic positions: Miriam Bäckström, Aurora Reinhard, Petri Ala-Maunus, Ragnar Kjartansson and Egill Saebjörnsson. All of them would have deserved to be selected from the shortlist. Everyone’s specific practice opens up a complex, thoughtful examination of aspects of the world we are living in.”
Known for his masterful sunset paintings, Petri Ala-Maunus (b. 1970) has created a new work for the exhibition: a 14-metre painting called History and Utopia of Landscape. The work consisting of seven panels has a fantastical element that makes it almost supernatural.
Miriam Bäckström (b. 1967) has two enormous textile works featured in the exhibition that are on display for the first time. Larger of the two, the 15-metre long Psychopath, cuts the exhibition space like a rocket, with a cool destruction hidden beneath the beautiful and pearly textile surface.
Ragnar Kjartansson’s (b. 1975) nine-part series of works includes a 2.5-hour film called The Boat, shown in the exhibition. The work contains an epic scene, where a speedboat is slowly crossing a Swiss lake.
Aurora Reinhard’s (b. 1975) work Broken consists of nine pieces completed in the last years. Reinhard herself also makes an appearance as a model in her works. Central subjects include the (female) artist’s identity, along with different power and dependency relationships.
Egill Sæbjörnsson (b. 1973) is known for his fictional friends. Ugh and Boogar, two 36-metre tall, coffee-loving and human-eating trolls, have produced six animated paintings for the piece The Paintings. The book The trolls in Hellsinki, made by Sæbjörnsson for the exhibition, will also be on display.