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Portrait of Amos Anderson

Collections

  1. Amos Rex

Image services


Amos Anderson
Amos Anderson.


Amos Rex manages the following image collections:

  • Amos Anderson Foundation Art Collections
  • Amos Rex exhibition photographs
  • Söderlångvik Museum
  • Amos Andersson’s Home
  • Amos Anderson Art Museum exhibitions
  • Amos Anderson’s personal photographs
  • Sigurd Frosterus Collection

Amos Rex grants rights for image use for publications and research, and at its discretion, for other purposes. The use of images may be subject to a usage fee depending on the intended purpose (see below).

Permissions can be requested via email: museum@amosrex.fi.

Press images are available in the Media Bank.

General Terms and Conditions

1. Images may only be used for the agreed purpose. Any other use is prohibited.

2. Amos Rex grants permission for one-time use only. Any further use (e.g. new editions) must be agreed separately and may incur additional fees. Archiving images in digital or any other format is prohibited.

3. The name of the artist, complete artwork details (title, year, technique, and dimensions), as well as the owner and photographer, must be credited in connection with the image.

4. If the image is cropped, this must be clearly indicated alongside the image.

5. Adding text onto the image is permitted only with prior agreement.

6. The client is responsible for clearing and paying any applicable copyright fees.

In the case of images depicting works of art, both the artist and the photographer hold copyright.

Copyright for artworks is valid for 70 years after the artist’s death. Protection for photographs is valid for 50 years from the year the photograph was taken. The client is also responsible for paying any applicable artist copyright fees to the relevant rights holders if copyright is still in force. Rights holders may include artists, heirs, or the copyright organisation Kuvasto ry, which licenses rights on behalf of its members. A list of represented artists and heirs is available on Kuvasto’s website.

7. Images and usage agreements are delivered digitally.

8. The permit holder must provide one complimentary copy of the publication to the Amos Rex Library / Archive:

Amos Rex / Library

Mannerheimintie 22–24

00100 Helsinki, Finland

If the publication is digital only, it may be sent by email to: museum@amosrex.fi with the heading “Complimentary copy for Amos Rex Library”

9. By receiving the images and the usage permit, the client agrees to pay the applicable fees and comply with these terms and conditions.

Ordering information

Please include the following information with your order:

  • Specification of the requested images
  • Intended use of the images
  • Print run and language versions
  • Contact person and information

Prices

Scientific publications and non-profit organisations

  • €50 per image + VAT 25.5%
  • Larger projects and collaborations by agreement

Commercial use

  • From €100 per image + VAT 25.5%
  • Larger projects and collaborations by agreement

Payment

The image usage fee is invoiced by Amos Rex. No invoice fee will be charged.

Please provide the following information:

  • Name / Company name and VAT number / Business ID
  • Billing address
  • E-invoicing address
  • Any additional information relevant to invoicing (reference)

On View at Amos Rex


Boys stand and sit on a sunlit beach, their bodies glowing in soft pastel tones. Behind them, the calm sea and sky blend in pale blue hues
Magnus Enckell, Boys on the beach, 1910.

Sigurd Frosterus Collection

The Sigurd Frosterus collection of early modern art is on display in the Frosterus Hall at Amos Rex.

Featuring some of the Sigurd Frosterus Foundation Collection’s most important works from the early twentieth century, the presentation brings out the vibrancy and colour intensity of the paintings.

Two painters who stand out in particular are Magnus Enckell and Alfred William Finch, both represented by more than ten works. Other featured artists include Sigrid Schauman, Paul Signac, Henry Edmond Cross, Théo van Rysselberghe, and Louis Valtat.